Nidderdale: The Completed Painting

This view from Guise Cliff was stunning. The air was fresh and cool. Occasionally a gentle breeze would pass through and rustle the grasses as I looked down upon the colorful valley. As far as I could see there were farm houses, villages, reservoirs, large and small estates, the peaceful River Nidd and fields with sheep and cattle grazing. England never looked more beautiful to me.

Nidderdale
36x48", oil on canvas
Rita Salazar Dickerson

Stage 6: Painting the foreground.

This painting was fun but a challenge. Using only palette knives, I constantly underestimated the amount of paint I needed so I was always squeezing out more and more paint; it rarely seemed like it was ever enough.



The final painting with the 8x10" color study.

Visiting Northern England: Guise Cliff/ Painting the Horizon

Detail portion of the horizon: Painting Guise Cliff

Stage 3: Painting the horizon. Since this is a 48 x 36" canvas that I'm working on, I decided to divide the painting into sections and complete as much of each section as possible before moving on to the next.

Transitioning from the sky to the horizon I tried to keep the feel of the palette knife strokes consistent as one flowed into the other.

Visiting Northern England: Guise Cliff

Detail Portion of the Sky
"Guise Cliff"
Rita Salazar Dickerson

I painted the sky today. After taking a necessary painting break to help my husband, Robert, recover from surgery, it felt good to get back to my easel.

I am reminded of what a privilege it is to be an artist.

 

 



Stage 1: Brushing in the composition of the landscape with a wash of Burnt Sienna.



Stage 2: Painting the sky with a palette knife.






 

 

Visiting Northern England: Landscape Painting #4

The forty-five minute hike up to Guise Cliff from Glasshouses is well worth the effort. It is a beautiful rocky ledge of cliffs that overlooks one of the North Yorkshire dales.

 From this viewpoint one can see the villages, Glasshouses as well as Pateley Bridge.

My inspiration for this painting was the incredible contrast between the rocks and grasses in the foreground and the softness of the valley and adjacent hills.

After blocking in the main shapes and colors in the foreground, I decided to paint this portion from start to finish before moving on to the rest of the painting. The palette of foreground colors were in such contrast to the values of the background colors - so it was easier for me to concentrate on those first. Northern England is colorful even in winter; rich reds, rusts and golds were enhanced by the deep green grass and light patches of snow.

At this point I felt like I was laying down the colors of a beautiful patchwork quilt.

Guise Cliff
10x8", Oil on canvas
Rita Salazar Dickerson

It was mid afternoon. As I looked out below I could see several farms with sheep and cows in their pastures bordered by rustic stone fences. If you look further up the valley you can see the body of water called Gouthwaite Reservoir where flocks of birds gather. 

Visiting Northern England: Landscape Painting #3

I painted in the lines of this landscape Sunday night and then forgot to photograph it before I started blocking it in; I remembered soon after.

As you can see I started with a deep green.

And then worked in an even deeper shade of purple for the darkest shadows.

This is when the fun started! I began squinting my eyes to see the major shapes which then helped me know where to place the blocks of colors.

The light cream colored trees and their branches added the needed contrast to the deeper shades of green. This color also ties in well with the fencing, path and rocks.

And then it was time to start adding texture, detail and light. The palette knife, once again, became very useful as I applied thicker paint.

Beckoning
10x8", Oil on canvas
Rita Salazar Dickerson

It was another gorgeous day in North Yorkshire. We had just climbed up to Guise Cliff where we were rewarded with a beautiful view of the valley. (At the top it is enjoyable to sit on the bench and overlook the villages, Glasshouses and Pateley Bridge.)

I was fortunate to be hiking with someone who knew this area well; our new found friend and guide, Ken, suggested a less common way down and I eagerly agreed to the adventure. I wanted to experience as much of this area as possible - so why go down the same way we hiked up? As we passed sheep in pastures and crossed through stiles, we came upon a gate which led down a grassy hill. We climbed over this gate and headed down. I paused when we reached the bottom; the entry into this wooded area was beguiling  to me. This path seemed as though it was beckoning me forward. It was cool and quiet. As we walked, the ground crunched with thin layers of ice on the wooded floor. My walking stick became very useful at this point and kept me from slipping. Bits of light filtered in and at that moment I felt so blessed to be there experiencing this precious part of England on a cold February day.

P.S. I was always amazed at how green everything was during the winter months in North Yorkshire. Many of the trees dropped their leaves and yet there were others that held theirs. This added charm to an already charming place.