I'm comfortable painting portraits in oil. Even though learning and growing as an artist is a never ending journey, I realize its easy to slip into a rut and do the creative process the same way every time. Therefore it was a nice challenge for me to work in pastel again. My brain had to wake up, look around and be alert. It was refreshing to pick up chalk instead of a brush...to press and rub and play with layers of color on paper.
Painting a portrait with pastels seemed so appropriate for this beautiful baby girl. I was able to create soft lines and edges that matched the mood of this commission.
My client kindly sent this photo to me of the portrait matted and framed. A well chosen frame is such an important part of the completed pastel. I was so happy with the results.
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| Baby Girl Portrait Commission 14 x 11 inches, Pastel on Paper Rita Salazar Dickerson |
Painting a portrait with pastels seemed so appropriate for this beautiful baby girl. I was able to create soft lines and edges that matched the mood of this commission.
After lightly laying my first contour lines down, I began working with her eyes before moving down to her nose and then the rest of her face. It's so much easier not to smudge this way. I try to complete as much as possible the first time around so that I don't have to keep going in and reworking it.
