Sometimes I see something  that speaks to me with such beauty and personality that I just have to paint a portrait of it. In this case, it was this beautiful teapot.

Sadler England Teapot
8 x 10", Oil on canvas
Rita Salazar Dickerson (c)2014

Stage 1: The drawing. With a wash made up of Ultramarine Blue and Transparent Earth Red thinned with mineral spirits, I loosely painted in the shape of the teapot that was positioned on a shelf four feet away.

Stage 2: Blocking in the teapot. With a thin layer of paint I blocked in the major shapes, colors and values.

Stage 3: The background and foreground. After the teapot was blocked in, I painted the first layer of the background and foreground.

Stage 4: Adding more color and detail. At this point it was time to prepare the teapot with a second layer of paint for the flowers that were to come. I paid close attention to the shadows. Since I was working wet paint onto wet paint, I wanted the flowers to work into this layer -- allowing some of the paint from underneath to show through.

Stage 5: Completing the painting. Before working on the teapot I gave the background and foreground another layer of paint. Then, squinting my eyes, I looked at the teapot's flower design and painted my impression of it. Painting every last line of detail was not necessary. When I focused on the colors, shapes and design, the story of this teapot appeared.

Painting of a Little Girl: Julia and Julia

How fun it would be to visit a butterfly pavilion and discover that there is a butterfly there with your same name. And so my portrait title comes from the two lovely Julia's in this painting.

Julia and Julia
12 x 9", Oil on canvas
Rita Salazar Dickerson (c) 2014

Stage 1: The drawing. With a mixture of ultramarine blue and transparent earth red thinned with mineral spirits, I used a number 2 filbert brush to draw Julia and the butterfly freehand.

Stage 2: Julia's face. Painting alla prima(Italian, meaning at first attempt), I completed the face and hair while adding some color to the background so that I could create soft edges and compare color. I did block in her face with a thin layer of paint before I came back in with a thicker second layer. (Sorry, I forgot to photograph the first layer.)

Stage 3: Painting the dress, arm and hands. When painting wet paint-on-wet paint, I look forward to seeing how the top layer of paint will work into the blocked in color of the first layer.

Stage 4: Painting the second layer of the dress, arm and hands. I mixed a pale pink to give the  impression of the white design on her dress fabric.  I like what the fabric pattern does to the painting -- adding interest, detail and color.

Stage 5: Completing the painting. This unique background created an interesting challenge for me: to give enough information to help tell the story of this butterfly, Julia, and its surroundings with Julia the little girl -- but not make it too cluttered with unnecessary detail. Because I have a tendency to paint every last leaf in a painting like this, I combat this issue of mine with a palette knife. After I applied the paint with the palette knife I then came back in with a soft brush to create the illusion of plants intermingling with the butterfly and red flowers.