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Sunday, May 15, 2016

My Art Diary: August - December, 2016, Part 4

I like fun surprises and as a commissioned artist each Christmas season never lets me down. As I look back on this last holiday season I have sweet memories of painting on stage at the Cheyenne Mountain Resort. Traditional Christmas carols were played on a baby grand piano as I painted in front of a live audience. The event was a women's brunch; the air was filled with anticipation and excitement for the season.
Madonna and Child
36 x 48", Acrylic on canvas
Rita Salazar Dickerson


From this painting performance someone in the audience commissioned me to paint a second image of the Madonna and Child. The client wanted it to decorate her mantel at home and requested a smaller size. My challenge was to paint it with the same feeling and freshness that I painted the original.

Madonna and Child, II
30 x 24", Acrylic on canvas
Rita Salazar Dickerson


In The Shadow of His Wings
48 x 36", Acrylic on canvas
Rita Salazar Dickerson
This was my third year of having the privilege of painting at the Remembrance Service held at Woodmen Valley Chapel. Each December the pastoral care staff hosts this event for the community allowing those who have lost a loved one to grieve and remember. It is always a somber yet positive and comforting service. My challenge was to paint an image that everyone could relate to and take comfort from. I was asked to visualize Psalm 57:1, "...I will take refuge in the shadow of your wings..." Those in attendance were invited to come forward and write their loved one's name in the shadow of the wings.

I love my job.

Monday, January 25, 2016

My Art Diary: August - December, Part 3

One of the enjoyable aspects to creating commissioned paintings is the variety and wide range of work that comes my way. Though I do like painting my own dreams I also like the challenge of painting the dreams of someone else. Oftentimes it takes sketches, emails, conversations and more emails to land on that final vision that satisfies the dreamer. It's such a great feeling when everyone walks away happy. Mission accomplished.

In this post I'd like to share a variety of works that came my way because someone in each instance was inspired to give art as a special gift.

The following two acrylic paintings were given as personalized baby gifts. Isn't it fun to think about a newborn entering the world who is greeted with original art that honors him?        
NOLAN
16 x 20", Acrylic on canvas
Rita Salazar Dickerson

JACK
16 x 20, Acrylic on canvas
Rita Salazar Dickerson
 This next project was a birthday gift to a cadet pilot instructor. Who knew that one day I would be painting a flight jacket?
Custom Personalized Flight Jacket
18 x 18", Acrylic on leather
Rita Salazar Dickerson

Cedaredge Peach
6 x 8", Oil on panel
Rita Salazar Dickerson
This last piece was a gift to myself. After spending the day picking tree ripened peaches, my next desire was to paint one.

Friday, January 22, 2016

My Art Diary: August - December, Part 2

Mixed in with the pets that I wrote about in my last post, I was honored to paint these portraits that were to be Christmas gifts for loved ones. Every portrait has a story and this first one had an additional aspect to it, I was asked to paint two pastels of the same subjects. Same size. Same everything. Each would be going to separate families. The challenge didn't come until I had completed the first one and had it approved. Then it faced me. I needed to come as close as I possibly could to duplicating these two handsome boys -- keeping them as similar to the first portrait as possible. (I got to know these boys really well!)

I am usually asked to paint in oil so this was a change of pace to create in pastels.
Reid and Eli, I
20 x 16", Pastel on paper
Rita Salazar Dickerson
Reid and Eli, II
20 x 16", Pastel on paper
Rita Salazar Dickerson
After I completed Reid and Eli, I began the portrait of Mr. and Mrs. Carlson. It was also to be a Christmas gift. An added bonus with my work is the opportunity to take pleasure in hearing the story behind the painting...in this case the special memories shared between two people of a time and place they both enjoyed.
Mr. and Mrs. Carlson
16 x 12", Oil on canvas
Rita Salazar Dickerson

Monday, January 18, 2016

My Art Diary: August - December 2015, Part 1

As 2016 begins, I look back with a thankful heart at all that has happened since I last posted in this blog. It has been an amazing "season" of creating commissioned art, sprinkled with teaching art. My days have been full with a variety of mediums in my hand...from pencil to pastels, acrylics and watercolors, to oils... and the common thread has been sheer enjoyment. Although the consequence to all this creativity has been the lack of time to write about my experiences until now, I am determined to start the new year with a fresh update of my latest art.

With this first post, I have to say, pet portraits are so much fun. Each one is a privilege to create. When I am invited into someone's story, I get to see beauty not only in the animal but in the special relationship between the furry friend and his or her owner. And without fail, portraits make great gifts that touch the heart. As you can see from the photos, during these past several months I was able to get to know some beautiful animals.

Bartholomeow
7 x 5", Oil on panel
Rita Salazar Dickerson
Brenna
10 x 8", Oil on canvas
Rita Salazar Dickerson
Moet
10 x 8", Oil on panel
Rita Salazar Dickerson
Dusty
10 x 8", Oil on canvas
Rita Salazar Dickerson
Stubby, II
8 x 10", Oil on canvas
Rita Salazar Dickerson

Taylor
10 x 8", Oil on canvas
Rita Salazar Dickerson
Dixie
10 x 8", Oil on canvas
Rita Salazar Dickerson










Monday, August 3, 2015

Beginners Drawing Class

I'm enjoying this new "season" of my life where teaching has been woven into my life as an artist. Almost everyone, it seems, wants to learn how to paint and last November I readily agreed to teach an introductory class to painting. One class led to another and it has been fun watching students find joy and satisfaction in the creative process of painting.

But many eager new artists are unaware of the fact that drawing is the foundation of painting. To become a better painter, one must learn how to draw. Rarely do I meet those who are wanting to fine tune their drawing skills. Learning to draw well requires time, concentration and dedication. And bravery. So I was excited to see such an enthusiastic response to a Beginners Drawing Class. Some were there to revive their love for drawing. Others had never taken a drawing class before but had always wanted to give it a try. After three action packed hours of instruction, I was quite pleased with the results. Students drew and drew well!
Photo credit: Annie Stevens
There were about 36 students that gathered on a Saturday morning in June to learn the basics of drawing.

Photo credit: Annie Stevens
Value scales were discussed and created.

Photo credit: Annie Stevens
And then I pulled out my radishes. Yes, radishes.
Photo credit: Annie Stevens
They were drawn quickly at first and then with more time and study.
Photo credit: Annie Stevens
Photo credit: Annie Stevens
And then, before I knew it, there were beautiful drawings of radishes all around me.
Photo credit: Annie Stevens
From radishes we moved on to hats. I placed a hat at the center of each table and using a single light source, everyone drew the hat in front of them. As you can see from this photo, the hat portion of my class was quite successful. Marvelous hat drawings surrounded me when only a short time before there was blank paper. Each person there experienced the challenge and beauty of creating something from nothing.

I am always moved by the power of art. 

Sunday, June 28, 2015

Portrait of a Little Boy

When it was time to photograph two year old CJ for his portrait I wondered if he would get the significance of what we were trying to accomplish. Turns out, he did. Maybe it was the crisp white shirt (that soon crumpled and folded under his constant movement) and the large camera lens pointed at him. Or perhaps it was his older sister's oil portrait already hanging in his home that helped CJ understand that it was his turn. Regardless of the reason, CJ slowed down that sunny morning and followed instruction. I took tons of photos while he rested on that rock -- taking in his surroundings.

CJ loves the outdoors and rocks (throwing them is a favorite pastime.) And so it seemed appropriate that both of these elements would be a part of his portrait.

CJ
20 x 16", Oil on canvas
Rita Salazar Dickerson
Stage 1: Painting the contour lines. I painted CJ's image with loose contour lines using a mixture of Ultramarine Blue and Transparent Earth Red thinned with mineral spirits. My biggest challenge at this stage was to slow down and study him as I worked on his features.

Stage 2: Starting with the eyes...Once I felt like I had his likeness I began painting the eyes, the focal point in this portrait.
Stage 3: Completing the face. After the eyes I moved on to the rest of his face. Because the back lighting from the sun is slightly to his upper right, I realized that everything on his left side is slightly darker in value.
Stage 4: Painting the shirt. I started his shirt by blocking in the darker shades of blue resting in the folds and creases.
Stage 5: Completing the shirt. Once the darker values were in I began filling in the rest of his shirt with lighter shades of blues, purples, yellow and even some shades of pink.
Stage 6: Painting the shirt and hands. When I was at a good stopping point with the shirt it was time to move on to his hands and blue jeans. Keeping the variations of the edges is important and it helps to work wet on wet.

Stage 7: Painting the hair and ears. I started this step by painting in some of the background so that the outer edges of his hair would be soft. Working with wet paint makes this step so much easier.
Stage 8: Painting the background and completing the painting. I used a palette knife to apply some of the paint in the background. It helped create a rough and rugged feel of the rocks. I then used a brush to move some of that paint around and blend the colors together.

When the painting was at this point, I left it alone for about a week and then came back in and reworked pretty much everything. (Taking out some detail, adding color, removing too much color in places, changing values, softening some edges...it's all part of my process.)

Monday, June 8, 2015

Portrait Commission of Two Women

At first glance, an oil portrait like this might simply look like a picture of two beautiful smiling people sharing a happy moment. But through the years I have learned and experienced that a portrait is not just a portrait. It is much more than that.

All portraits have one thing in common. They have a story to tell. This story begins (like all my previous portrait commissions) as a story about cherished loved ones who are being honored. And as the process begins one thing leads to another. Special memories are awakened that stir the viewer's heart and uplift the spirit. Emotions resurface that perhaps had laid dormant for a while. Loved ones are thought of and admired. A family heirloom is created.

There is power in a portrait.
Mrs. Dianne Rhodes and Her Mother, Mrs. Emma Mae Grimes
18 x 24", Oil on canvas
Rita Salazar Dickerson

Once the decision for the commission had been made the excitement and planning began. There were lots of reference photos to study and analyze. This is the main reference photo I chose to work from though I used several others as well. Many questions were asked from my clients. "What size should the canvas be? How long will the process take? What about the framing? Can we use a linen liner?" I enjoy this process; its exciting for me as well.

I love the freedom of making changes and using the photos for reference only. Adjustments were to be made with lighting, composition, clothing, jewelry...its all fun!
I started the painting with a thin mixture of burnt umber and mineral spirits which I used to paint in freehand the contour lines of their images. From there I worked on Mrs. Rhodes' (on the left) face first and then moved on to her mother's.
Half of the lovely large necklace was covered by Mrs. Grimes' dress and so I revealed the full piece for balance and design.

The black dresses were nice for continuity but I wasn't sure how I wanted to complete them. I then blocked in Mrs. Grimes' hair, preparing for the waves that would add contrast with light and shadow.
At this stage I focused on the details...completing the hair...softening edges...hi-lighting the jewelry...

...details that make a big difference. At my client's request I added Mrs. Rhodes' hidden right earring. I think it was a good suggestion.


With input from my clients, the final decision was made to complete the dresses to the edge of the canvas along with other minor adjustments throughout the entire painting.

Once the completed portrait is approved it is either picked up by the client or delivered to their home. But this story had a different ending.

The date was set. Every small detail was carefully planned. A surprise dinner party was to be held in honor of Mrs. Rhodes.

I had the extra special pleasure of being invited to the unveiling in Atlanta, Georgia and was asked to take part in the presentation.
                                                                                                                                                            Photo credit to Josef M. Courtney


To my right is Ms. Cherita Lewis, and to my left is Mr. and Mrs. C.R. Rhodes

It was a special blessing to be there and an evening I will never forget.