This study depicts a portion of Nidderdale looking out from an upstairs bedroom window. The sky was overcast and the air was cold. It felt good to be inside.
I first painted this on a 8 3/4 x 5 3/4 inch panel that slips into the frame of my small box easel. The easel is such a convenient size (9 1/4 x 7 1/4"), I was able to set it on a window sill. I worked in acrylic for this initial study. My main concern was capturing the colors accurately.
Back here in my studio I used my little color study for reference and then also used a reference photo taken from that same window to repaint this scene on a 10 x 8" canvas. The colors that I applied on the small panel were so much more vivid that the colors in my reference photo; a good reminder of how much nicer (and more accurate) it is to paint from life.
One of my favorite parts of this late winter scene of the dale is the color of the grove of trees which contrast so well with the rich green of the hills.
I really had fun with my palette knife on this final layer. I switched off between the palette knife and paint brush to apply thick paint and soften the edges.
I first painted this on a 8 3/4 x 5 3/4 inch panel that slips into the frame of my small box easel. The easel is such a convenient size (9 1/4 x 7 1/4"), I was able to set it on a window sill. I worked in acrylic for this initial study. My main concern was capturing the colors accurately.
Back here in my studio I used my little color study for reference and then also used a reference photo taken from that same window to repaint this scene on a 10 x 8" canvas. The colors that I applied on the small panel were so much more vivid that the colors in my reference photo; a good reminder of how much nicer (and more accurate) it is to paint from life.
One of my favorite parts of this late winter scene of the dale is the color of the grove of trees which contrast so well with the rich green of the hills.
The Farm In The Dale 10x8", Oil on canvas Rita Salazar Dickerson |
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