It's always a relief when I reach this point in a portrait. Its time to leave the head alone and focus on the clothing.
And then I worked in the lighter values. The next step was to blend the lights and darks at their edges to that they transitioned well with soft edges. |
Stage 11: The hands. I started the hands by blocking in the light and dark shapes. This underpainting helped me see their shapes in the simplest of terms. |
Working wet on wet paint, I then applied the second layer with additional color and values. |
Conor McCluskey BombBomb, CEO 36 x 24", Oil on canvas Rita Salazar Dickerson |
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