Family Portrait Painting: Part 2

Stage 3: Painting the clothes. If you study clothing, it becomes obvious that there can be many reflected colors in them depending on the lighting and environment. For Steve's yellow shirt, there are greens and oranges with hints of blue.  His khaki shorts also reflected light blue and hints of orange.

Stage 4: Painting the arms and legs. In situations such as this, I feel like I've been given a break having  to paint only one full arm and hand with one leg. I did have to give his other arm and leg (partially exposed) my full attention just to make sure that they are believable and work with the composition. As with all my work, I gave it my all but know, deep down, I will soon see things a bit more clearly and will make adjustments and corrections.

Now its time to work on Patty, Steve's wife.

Family Portrait Painting: Part 1

It has been years since I have painted a family portrait and so it must be time. This 36 x 48" painting of the Johnson family will be a great challenge for me. Just getting started with the composition of five figures on the canvas was exciting enough all by itself. My plan is to paint one figure at a time.

Stage 1: Drawing the figures. With a thin wash of paint I used the reference photos I had taken to loosely draw in the family members, freehand. At this point I did not worry about getting their features just right; I was more concerned about the composition and proportions.

Stage 2: Painting the first face. With multiple figures I am most comfortable painting from left to right and so I began with the husband/father, Steve. Painting wet-on-wet, (alla prima), my goal was to complete his face as much as possible. I will work on him more later when I have fresh eyes - plus it will also be helpful to study him in person.

Sunflower Painting

Medley
24 x 18", oil on canvas
Rita Salazar Dickerson (c) 2013

Ever since I painted this still life, I have wanted to go back in a rework it. I kept waiting to see it with fresh eyes. At last, this weekend, I took the time to take it out of its frame, mix the paints and get it done.  

Painting Of A White Hen

Little White Hen
10 x 8", oil on canvas
Rita Salazar Dickerson (c)2013 

Painting portraits of chickens has become a nice little escape for me. When I take breaks from the paintings that I have committed to, doing a painting of a hen or a rooster becomes a challenging diversion. They are never as easy as I imagine them to be but once I start one, I have to finish (8 x 10's are a good size, they do not take long to complete and they fit in almost any kitchen).

Fishing The Arkansas River

This painting is the first in my new Colorado Landscapes series. Even though adjustments will be made after some time has passed and I'm able to see it with fresh eyes, I am excited to do this post and share the stages with you.

If you have been following this blog for over a year, you might recall the color study I did of this scene when Robert and I were spending a warm fall day along the Arkansas River, near Salida, Colorado. While Robert fished, I painted. With the color study I also took photos of him fishing. This is the final result, a compilation of photographs and the painting I did that colorful fall day.

Fishing the Arkansas
16 x 20", oil on canvas
Rita Salazar Dickerson (c) 2013

Stage 1: Loosely painting in the lines, freehand, of the shapes and figure. I used a wash of mineral spirits and Transparent Earth Red. Next, I started with the sky doing an under painting of Ultramarine blue mixed with Cobalt Blue and Titanium White.

Stage 2: Painting alla prima, wet on wet, I used a palette knife to add a lighter blue to the skyline of the mountains. I have a tendency to be frugal with paint so when I apply it with a palette knife I am forced to use more.

Stage 3: Completing the sky and painting the mountains. Using the same technique with the sky, I painted the mountains.

Stage 4: Painting the background of trees and bushes.

Stage 5: Blocking in the under painting of the river. In preparation for the water I brushed in this thin layer of color before I added the thicker, final coat, alla prima. I worked around the figure, Robert. 

Stage 6: The water and  figure. Robert was a lot more challenging than I thought he would be. With the sun practically over head, he blended in with the water. 

Stage 7: After blocking in the foreground with a thin layer of paint I came back in with my palette knife to add the thicker paint. After the paint was applied I used a combination of brush and palette knife to get the effect I wanted.

Here is the final painting with the color study I did last October. Painting from life recorded the colors much more accurately than the reference photos. I have never regretted painting plein air; I learn so much each time I do.

Painting Of A Chicken

Pollo
10 x 8", oil on canvas
Rita Salazar Dickerson

I'm obsessed with painting chickens. Everywhere I go I am distracted when I see or hear them. Their soft feathers, the way they walk, the wonderful eggs that come from them. Its all good. The next logical step for me is to capture them with paint whenever possible.

When I was a little girl, my parents purchased some chickens that ran loose in our back yard. I thought they were such a nice addition to the family. Within a short time we thought of them as pets. I don't remember naming them but I do remember loving everything about them.

As the summer eased into fall there was a certain Saturday dinner I will never forget. My dad had gotten up early and without my knowing, had "taken care" of those feathered friends. Later in the day my mom was frying a large pan full of, you guessed it, chicken. When we sat down to dinner that night, with that huge bowl of fried chicken at the table, we children sat silent, staring straight ahead. No one moved. Our appetites were gone. To my parents' frustration we could not take one bite.

Painting Of A Flower Angel

With all the chaos going on in the world, it was nice to lose myself in this painting of a flower angel. This delightfully unusual commission was an enjoyable challenge not only because of its size, 36 x 48", but also because I wanted to successfully depict in this painting a visual representation of what my client likes: irises and angels. And whimsy.

 

 

Flower Angel
36x48", acrylic on canvas
Rita Salazar Dickerson (c) 2013

Stage 1: Painting the background. This abstract background set the stage for the flower. Using a large brush I intentionally added drama by darkening the edges while using the colors (purples, greens and golds with lots of white) my client specifically requested.

Stage 2: Lightly painting in the lines of the angel, freehand. Using two previously drawn rough sketches that my client and her husband had approved, I combined what they liked from each drawing and created the beginning of the flower angel.

Stage 3: Painting in the image of the flower and angel.

Stage 4: Before adding the final details on the flower and angel, I had a private little painting party where I threw and dripped paint in reckless abandon. Not really. It was all quite intentional, but the splatters were a bit of a challenge to control. I like throwing paint.